What I’m saying is, I wouldn’t worry about the pyramid and the numbers.” Numerology, mystics, fortune telling, etc., all have their place and their reality but at the core of the matter, is where the essence of it all really is, and everything else is just an obstacle in getting there. But l have also found that more than not they can be a big deterrent in the progress of spiritual evolution, and at times very dangerous. I believe there is cause and effect based in metaphysics, and the study of which can bring one closer to the roots of the human being. I had made many discoveries whilst I was seeking spiritual balance in my life. S – “If you research metaphysics you will find mystical meanings for pyramids and triangles, and the power of numerology and the number 7 being a prime focus. Could you tell me what this triangle symbol thing means? and why steve uses it?
STEVE VAI PASSION AND WARFARE AMAZON TV
Unfortunately I didn’t catch what they said about it on the TV – but it’s something to do with ‘new order’ and alexandria. I didn’t realise ’til I came to find the email address – it’s also on the website. I started listening because I saw the same triangle thing on Steve’s album ‘Passion and Warfare’. I wasn’t really listening untill they talked about the triangle thing. Hi, I watched a program on TV the other day about one of the seven wonders of the world, which got me thinking, because they said something about an eye in a triangle/pyramid being on a note. S – “Maybe sometime in the future but there are no plans at this time.” Is there going to be another Merry Axemas CD? The first two were simply too
This is still available in some music stores – or check on ebay, and.
There (was) a lefthanded version of the Jem produced: the JEM555LWH.
STEVE VAI PASSION AND WARFARE AMAZON SERIES
Do you know where I can buy one and how much they cost? Also, is there any way I can buy a left-handed version of any of Ibanez’s Signature Steve Vai series guitars?Ĭheck out for more info on the Eventide Harmonizers. I notice on a lot of your album you mention using Eventide Harmonizers. My deepest gratitude to you guys, especially to Steve for making this happen, for being my greatest inspiration (not only musical), and many other things! God what a memory! Everyone in the crew was really cool to me.
Pure adrenaline! It went pretty well, although I think I was shaking a bit. I spent most of it running around backstage almost shitting my pants, I was beyond nervous! Right after Voodoo Acid, it was time for me to hit the stage. I went to a nearby chinese restaurant with my friends but I couldn’t eat!Įventually the show started. It was time for the band to relax before the show and to have dinner. I went to the dressing room to do the translation, and then we rehearsed it a couple times. Too bad Phil (Bynoe) doesn’t speak French though, it would have made it sound like Barry White! (j/k ). It was about a particular day he had spent in Paris with Pia, and what the feelings it had evoked in him. Steve asked me to translate a poem he had written from English to French, and to recite it in the song. So there I was up on stage! I thought Steve just wanted to talk with some french person, but actually, the song they were rehearsing was written for France: they were going to perform it that night, and record it in order to put it on a live album. I was sitting next to his tour manager, so I told him I could do it. Then I heard Steve saying he needed a translator. Obviously it was amazing! At one point, they started to play that song Steve had just written, which sounded like a Parisian ballad. I sat down in the back, where some other people were hanging. I got to the venue around 4pm that day (April 1st), and the doors were open. I also live in Paris, and after attending the local gig of the Ultra Zone Tour here on March 15th (2000), I thought there was no way I wasn’t gonna see that show again, so I went to Strasbourg. Actually that’s a bit of an understatement, but you get the picture. “Here’s what happened on what was probably the most incredible day of my life so far: I’m a Vai fan. John Pusztai (pictured here with Steve) tells the story of how it all came about: It was translated by John Pusztai who was also the one that recited it. I composed the letter that was then read in French at the show.
“Ooops, I don’t know how we put the wrong venue name but thanks for pointing it out. I hope you will have time to answer to me. In the song “Being With You (in Paris)”, who composed the few lines in French? (really nice accent!). I bought your last opus recorded during the live sessions and i was really happy to find ones you made with us on the 23rd of march 2000 in Bordeaux (it was not at the “Theatre Barbey” but at the “Krakatoa”).
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